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  4. Numerus surdus y armonía musical. sobre el temperamento igual y el fin del reinado pitagórico de los números
 
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Numerus surdus y armonía musical. sobre el temperamento igual y el fin del reinado pitagórico de los números

Date Issued
2020-01-01
Author(s)
Cortez, Ismael  
Facultad de Humanidades y Educación  
Espinoza, Lianggi  
Facultad de Ciencias  
Palacios, Pablo  
Facultad de Humanidades y Educación  
Redmond, Juan  
Facultad de Humanidades y Educación  
DOI
10.22370/rhv2020iss16pp137-167
Abstract
The development of philosophical ideas throughout history has sometimes been assisted by the use of handcrafted instruments. Some paradigmatic cases, such as the invention of the telescope or the microscope, show that many philosophical approaches have been the result of the intervention of such instruments. The aim of this article is to show the determining role that stringed musical instruments with frets had in the crisis and generation of philosophical paradigms. In fact, just as the observations of the moon with the telescope broke more than a thousand years of Aristotelian hegemony, the fretted string instruments, predecessors of the guitar, played a central role in the collapse of one of the most influential approaches in the history of Philosophy: Pythagorism. We focus on the fundamental hallmarks of Pythagorism and on how, during the 16th century and from the fretted string instruments, the mathematical-musical notion of equal temperament emerged, which from the middle of the 19th century will be established as the prevailing philosophical-musical paradigm of the West.
Subjects

Arts And Humanities

Philosophy

OCDE Subjects

Humanities And The Ar...

Quartile (Date Issued)
SQ
License
acceso abierto
Open Science Path
https://creativecommons.org/licenses/by-nc-sa/4.0/

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